Publisher – magazine for architects and related professionals
Students or emerging practitioners focused on making their mark in the architecture world are encouraged to apply for the RAIC Foundation’s 2025 Scholarships and Bursaries to receive recognition and monetary support for their work.
The Foundation was established in 1964 and is governed by a Board of Trustees and is committed to advancing excellence and knowledge in Canadian architecture.
The Foundation’s objectives include supporting students and interns in their architectural programs, promoting public discussion of architectural ideas affecting society, and supporting scholars in advanced research relating to community and the built environment.
The 2025 portfolio features expanded opportunities such as the new Bing Thom Award, which is an essay competition open to all students enrolled in a Canadian school of architecture, or in the RAIC Syllabus Program. The eligibility criteria for the College of Fellows Centennial Fund has also been expanded and will offer two awards this year.
To learn more about each opportunity, and review eligibility and submission requirements, visit the RAIC Scholarships and Bursaries webpage, and see the following.
For Students:
*Submissions for these awards are limited to one or two for each accredited school. Schools will select student(s) to apply.
For Interns / Intern Architects / Architects:
*The terms of reference were revised in 2024 to extend the eligibility of the grants awarded by the COF Centennial Fund to graduates of an accredited Canadian school of architecture and graduates of the RAIC Syllabus program, in addition to Interns/Intern Architects.
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25janAll Day13apr
A new exhibit has opened at Banff’s Whyte Museum in Alberta, which spotlights the works of Métis artist and architect Tiffany Shaw. Meltdown: A Drop in Time offers an exploration of
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A new exhibit has opened at Banff’s Whyte Museum in Alberta, which spotlights the works of Métis artist and architect Tiffany Shaw. Meltdown: A Drop in Time offers an exploration of Canadian glaciers through Shaw’s unique artistic lens.
In honour of the 2025 United Nations International Year of Glaciers’ Preservation, Meltdown also showcases a collection of artworks focusing on glacial landscapes by Jim Elzinga, Roger Vernon, and Leanne Allison. This exhibition aims to draw viewers into the heart of Canada’s glaciers for an immersive experience.
This exhibition also marks the grand opening of Canada’s participation in the UN Glacier Year.
For more information, click here.
January 25 (Thursday) – April 13 (Sunday)
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07mayAll Day14sep
Groundwork is a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of engagement with new project sites. Using documentary as
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Groundwork is a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of engagement with new project sites. Using documentary as a curatorial tool, the CCA will take a critical look at how designers across diverse geographies and contexts engage with their environments in preliminary phases of projects. In doing so, thinking processes, research, and stages of transformation will be highlighted as revelatory aspects of architectural work that help to deepen our understanding of new critical modes of practice and engagement. In light of the ecological crisis, the project questions how different architects situate themselves in relation to changing natural and disciplinary boundaries.
The exhibition is on from now until September 14, 2025.
For more information, click here.
May 7 (Tuesday) – September 14 (Sunday)
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13febAll Day11may
This exhibition surveys the 35 year career of Toronto-born Brooklyn-based artist Elana Herzog and is curated by internationally Canadian artist Jessica Stockholder. It features a new site-responsive installation made
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This exhibition surveys the 35 year career of Toronto-born Brooklyn-based artist Elana Herzog and is curated by internationally Canadian artist Jessica Stockholder. It features a new site-responsive installation made using wallpaper designed by the artist, metal staples, textiles, and paint.
Part of Herzog’s process is to encrust textiles onto – and into – different surfaces. Herzog, who spent a decade as an electrician, explains “while working in the building trades, I became intimately acquainted with the built environment and how it is constructed. On a very personal level I learned about how systems interact and are installed in buildings – what’s behind the walls and under the floors.”
Her work can be described as a form of domestic archeology, often engaging architecture and other more intimate forms of material culture.
For more information, click here.
February 13 (Thursday) – May 11 (Sunday)
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